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What Level Is Best For My Child? One of the many strengths of the
Kindermusik philosophy is its focus on the different developmental needs of
each stage of childhood. Each level is designed to give your child the most
appropriate, most stimulating environment to nurture their developmental
needs. We celebrate and explore each age rather than rush forward, coaxing
forth the joy and creativity in each individual child and respecting their
unique pattern and pace in growing up. Since Kindermusik addresses the
development of the whole child, there are certain ages at which you may
wonder which of the Kindermusik curricula best suits your child’s age and
stage. It is necessary to indicate age levels to guide you, but there is
flexibility in certain age spans which overlap curricula. The “transitional
stages”, 18-20 months, 3 to 3 ½, and 5, are points at which you and your
Kindermusik teacher can help your child by deciding which level would be most
beneficial and appropriate. Ask yourself some important questions:
There are certain guideposts to look for
in development which will help direct your choices. Below are some
characteristics which indicate that your child will obtain the maximum
developmental benefits and pleasure from a particular curriculum. Let these
assist in making this important decision. While no two children develop in
the exact same way, a child who is ready for a certain curriculum will
display many of the characteristics of that level. Of course, our teachers
always here to discuss individual questions and concerns. Please do not
hesitate to contact us—sharing in your child’s developmental journey is both
our profession and our joy. From Village to Our Time-: 18-20 months
·
Uses
gestures and language to indicate needs ·
Sustains
interest in an activity for several minutes ·
Shows
cooperative/interactive learning: is interested in what others are doing and
in sharing that activity (whether by observing, parallel exploration, or
imitation) ·
Can
understand and follow verbal directions of two steps; will generally
cooperate with a request ·
Is
learning to explore objects in purposeful, symbolic ways, rather than
mouthing, dumping, etc. ·
Shows
interest in concept pairs - high/low, fast/slow, loud/quiet, stop/start ·
Responds
to song and rhyme; may join familiar ones, and enjoys word and language play ·
Can
reliably point to named body parts, is beginning to understand number and
color concepts ·
Group
interaction and connection with an activity is becoming more appealing than
individual exploration of the environment ·
Physically,
can walk well, explores other types of movement (run, tiptoe, jump, turn) -
enjoys own mobility and will try new movements s/he sees others doing ·
Beginning
to understand and participate in “sitting” activities: finger plays, lap
bounces, singing From Our Time to Imagine That: 3 to 3 ½ years
·
Separates
from adult without crying; enjoys interacting as part of a peer group ·
Thinks
creatively - has moved from “What animals do you know?” to “What might we see
in our pretend tree?” ·
Recognizes
the needs of others; can be empathetic, take turns (usually!), understand
classroom rules and why they are important ·
Developing
abstract language and thought - can sustain a pretend play and enjoy
developing an idea for up to 5 minutes or more ·
Can
tell stories, relate a series of ideas, connect own experiences to those of
others ·
Is
developing patience - can accept “she is playing the wood block, and you have
the tambourine today” ·
Has a
broad movement vocabulary, and can explore the same movement in diverse ways
- “What other parts of your body can twirl?” ·
Can
sit and listen to a story or musical selection for several minutes, and
comment on what they have heard ·
Knows
shapes, colors, weather, seasons, counting ·
Participates
in singing, reciting rhymes; follows a model for movement or instrumental
play From Imagine That to Young Child: around 5 years
old
Kindermusik for
the Young Child realizes the developmental leap to school-age child.
Musically, it is the culmination of all that has come before; in addition to
movement, instrumental play, singing, and creating, YC students begin to
learn musical notation (note and rhythmic), begin to explore playing in an
ensemble, and begin learning to play a melody instrument, the glockenspiel.
We strongly recommend that the step to Kindermusik for the Young Child be
made by children who are entering Kindergarten, rather than those who are
still in preschool. If your child has a fall or early winter birthday, and
either falls after the school cutoff or you have elected to wait for the
following year to begin school, consider the following guideposts when
choosing to begin Young Child or remain in Imagine That. Please be aware that
Young Child is a sequential, two year curriculum - new students may join in
the second (winter) semester as class space allows, with the understanding
that the family and child will work with the teacher to catch up on concepts
and learning covered in the first (fall) semester. The child ready for
Kindermusik for the Young Child:
When Should My Child Begin Private Instrumental
Instruction?
As a general rule, most children are not
ready to begin formal instrumental training before the age of 6 or 7 for
piano or string instruments, and most instructors will not accept students
younger than 8 or 9 for other orchestral or band instruments. Before that,
they tend to lack the size, stamina, and outcome-oriented commitment to make
lessons a pleasurable and successful experience. Children are individuals,
with a wide range of aptitude, but all children possess the ability to enjoy
lifelong music making, and this ability can be greatly influenced by how we
choose to approach their earliest experiences. Kindermusik contains all of the needed
elements to develop a child who is musically aware and who has the solid
foundation to make lessons a natural and joyous next step. Children who grow
up in Kindermusik have had chances to succeed, be nurtured and encouraged in
their early creative explorations, and develop a core of music theory
instilled through voice, body, and mind. Music for them is a natural part of
their environment, and they have gained the language of note, rhythm, and
expression to help them as they select which instrument they most wish to
make their own. Many experts agree that early musical enrichment lays a
foundation for musicianship which may accelerate later progress on an
instrument. Children who graduate from Kindermusik
for the Young Child have a strong basis in theory, musicianship, and
instrumental technique. More importantly, they have been allowed to develop
the whole child through music, in a supportive and reassuring atmosphere,
which lays the groundwork for a lifetime of positive outlook not only towards
music learning, but towards learning in general. |

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